Blog Post

From Trade Show Exhibits Vendor to Client to Consultant

Peter Locascio • Jul 01, 2016

My trade show exhibit experience began at an early age around the dinner table. My father, Joseph LoCascio, would come home every night with fascinating stories about designing and building displays and exhibits at various New York City exhibit houses where he worked as graphic artist.

When the projects he worked on were completed he would take the family into New York City and show us the results of his artistic handiwork, which often included IBM’s Madison Avenue window displays, Crane’s display of new bathroom/kitchen fixtures, Allied Chemical’s lobby displays, and various displays at the New York Stock Exchange and the World Trade Center. Many other exhibits of his would be on display at trade shows at the New York Coliseum, Waldorf Astoria, or the New York Hilton.

My admiration for my father’s artistic talents started when I would be invited to join him for his local freelance work on weekends. I’d help him load the car with his art supplies and then watch in amazement as he laid out and hand-lettered a bank’s new window sign in gold leaf, or a company’s name on a truck door, or a new sign for a local church.

The exhibit building business was cyclical, and there were times when work was scarce and some shop workers had to be laid off for a few weeks. Other times there was too much work, which called for hiring more people and working overtime and weekends to complete exhibits.

My chance to work with my father at Exhibit Craft, Inc. in Long Island City, came when the shop was on a full-time work schedule, including weekends, to complete multiple exhibits in time for the National Hardware Show in Chicago.

I jumped at his offer and was excited to not only be making $1.50 an hour at the age of 14, but also to get to work with my father and begin learning the exhibit building business from the ground up. My work that first weekend — and many others that followed — included cleaning silk screens and squeegees, resurfacing art tables with new paper, sweeping the floor, carefully peeling frisketed graphic panels, and mixing paints.

I knew right then and there that the exhibit business was where I wanted to spend my career. During high school and after military service I worked at Exhibit Craft, Inc. working my way up the ladder, which included Silk Screen Production, Assistant Production Manager, Shipping and Receiving Clerk, and Assistant to the Purchasing Manager.

A major career transition came when ECI won the new Olivetti Underwood account and needed an account executive to manage their multiple product exhibits for more than 40 trade shows per year. I applied, interviewed, and got the job. To my amazement, I soon found myself in planning meetings at Olivetti’s corporate headquarters at 1 Park Avenue in New York City.

At 22, I was enjoying a dream job, learning the ins and outs of being an exhibit account executive and looking to the future when, unsuspectingly, ECI was sold to IVEL, which is today a part of Exhibit Group. IVEL then moved the ECI plant to Brooklyn, New York. For me, it was unreasonable to work in and travel to Brooklyn as I still enjoyed living an almost carefree and independent lifestyle at my parents' home in Bergenfield, New Jersey, where I grew up. But if moving out for a job was a necessity, I thought moving to California might be a much better choice.

With an eye for adventure, travel, and an urge to start fresh, I sent a resume out to Stewart Sauter, an exhibit builder and show decorator in San Francisco. I was hired after a great interview. I had contracted Stewart Sauter many times in the past to set up and dismantle Olivetti Underwood’s exhibits and had established an excellent working relationship with Mr. Tony Panacci, who I would work for. My job was supervising the setup, servicing, and dismantling of all exhibits sent to Stewart Sauter from exhibit houses from throughout the country.

My tenure in San Francisco was short-lived, however, because while setting up exhibits at the Fall Joint Computer Conference at Brooks Hall, I met Mr. Del Kennedy, Advertising Manager at UNIVAC Division of Sperry Rand. He ended up offering me a job as their Corporate Trade Show Exhibits Coordinator in Bluebell, Pennsylvania.

Getting the opportunity to jump from the vendor side of the business to the client side was a dream I had developed as I watched the entire staff at Exhibit Craft organize and clean up the shop in preparation for one of its client’s visits. One day I said to myself, “Someday I want to be the client."

UNIVAC built and sold computers. Their trade show exhibit philosophy was to use live theatrical presentations, developed by the highly talented Hardman and Associates from Pittsburgh, PA, to show just what computers could do. Karl Hardman and Marilyn Eastman, creators of the cult film “Night of the Living Dead," developed scripts, scenery, and AV materials, and hired and trained actors and a complete professional production crew to effectively present UNIVAC’s computer presentations. We staged the presentations on an hourly schedule in a theater with seating for about 60 visitors. When the presentation ended, the doors would open and visitors would walk through a display area where salespeople, managers and technical support professionals made personal product presentations, answered questions, and filled out sales lead forms for additional information or sales calls.

UNIVAC’s marketing experts understood early on that in reality a computer was just a machine and that it was the power of its various software applications that made the most sense to booth visitors. In the often cacophonous trade show exhibit environment, getting attention and making prospects and customers comfortable while sharing complicated and often esoteric information required total control of the exhibit environment.

A year later I accepted a job with Memorex (which stood for Memory and Excellence) in Santa Clara, California, as their Corporate Manager of Trade Shows and Exhibits. This included supporting their Video Tape, Computer Media, Office Products, and Computer Peripheral business units. Soon after arriving, Memorex decided to launch new audiotape products and I began working on their introduction at The Consumer Electronics Show in Chicago.

The marketing strategy for this important first trade show exhibit was to facilitate a dynamic live demonstration presenting the audible differences between new Memorex cassettes and what was then on the market. We needed to show prospects how Memorex cassettes would outperform recorded music when compared to reel-to-reel 3M and BASF audiotape, which at the time dominated the worldwide audiotape market.

We created the exhibit as a theater with seating for about 50 prospects. We equipped it with a state-of-the-art sound system, including high-quality cassette and reel-to-reel tape players and excellent full-range speakers with Dolby sound. The advertising campaign, “Is it Live or is it Memorex?” created by the Leo Burnett Advertising agency in Chicago, was prominently displayed along with supporting literature and sample cassettes. The presentation was very successful and Memorex went on to become a dominant force in the consumer electronics industry.

I was then offered a position as Vice President of Sales for Bill McCann’s Exhibit Design, Inc. located in Palo Alto, California. I viewed the opportunity as a means to perhaps own a piece of my own business. We were successfully pioneering the exhibit leasing segment of the industry until Mr. McCann fell dangerously ill after only 6 months. The business had to be suspended until he fully recovered, years later.

I moved south to Irvine, California, and began selling exhibits for Design Enterprises, Inc., an excellent small exhibit house based in Anaheim that did most of the excellent display work on the new Queen Mary docked in Long Beach. I enjoyed selling and servicing clients, but when the opportunity arose for me to again wear the hat of a client; I jumped at the chance to apply for a Trade Show Manager’s position at the corporate offices of Beckman Instruments in Fullerton, California.

Beckman Instruments, a world leader in the manufacturing of highly sophisticated analytical instruments for medical clinics, biomedical research, and industrial applications, was dedicated and committed to fully utilizing trade show exhibits to effectively further the sales and marketing of products.

Two major factors prevailed in Beckman’s commitment to maximize their trade show exhibits investments. First, it was difficult to go deep into various highly secure medical research facilities to meet face to face with prospective customers. And by design, such customers remained somewhat aloof and averse to meeting sales people. These important people would attend major medical research conventions to give papers, attend seminars and workshops, and walk the exhibit floor aisles to see what was new from industry that might help them solve their research challenges.

I moved south to Irvine, California, and began selling exhibits for Design Enterprises, Inc., an excellent small exhibit house based in Anaheim that did most of the excellent display work on the new Queen Mary docked in Long Beach. I enjoyed selling and servicing clients, but when the opportunity arose for me to again wear the hat of a client; I jumped at the chance to apply for a Trade Show Manager’s position at the corporate offices of Beckman Instruments in Fullerton, California.

The second factor pertained to the size, fragility, and complexity of Beckman’s scientific, industrial, and biomedical instruments. They simply could not be easily transported, calibrated, set-up and utilized to make effective field sales calls.

The trade show exhibit environment provided Beckman’s field service engineers with the ability to install and calibrate completely functional analytical instruments, which in turn gave the sales team on booth duty the ability to effectively demonstrate to prospects exactly how an instrument performed. This added credibility to the sales presentation and in many cases advanced the purchasing cycle farther down the road in a much shorter amount of time and at less expense.

Beckman’s management team demanded accountability from every dollar invested in their trade show exhibits, and it was my charter to either earn their respect or watch the function lose support and eventually all but disappear from their marketing/sales budget — with me along with it.

Years later I found myself being offered a position as Vice President of Marketing and Sales with OrCAD Systems, a boot-strapped startup in the CAE software business in Hillsboro, Oregon. I took the job and used my years of trade show exhibiting experience to help the company succeed.

At OrCAD we used trade shows to initially do product feature and pricing research and to set up a network of distributors to stock and re-sell product both domestically and internationally. Trade show exhibits provided me with the opportunity to stand in our booth for three days and ask questions, float new marketing and sales ideas, and present and sell products to a wide range of prospects. Our field sales and support representatives were trained, supported, and motivated by watching our corporate experts work the booth and answer prospects' questions while solving customers' problems.

After OrCAD was sold, went public and eventually swallowed up by a major competitor, I created www.tradeshowconsultants.com to share my experiences and to help my clients maximize their trade show exhibit programs and ultimately enjoy being on the client side of the exhibit business. Peter LoCascio now works with worldwide exhibitors who are committed to maximizing their trade show effectiveness and bridging the gap between trade shows and sales.

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Over the years as a trade show exhibiting consultant, I have been asked by many what my opinion was on what it takes to become successful at managing trade show exhibiting for corporations. While it’s often difficult to assume what “success” means for someone else, I can share with you what it meant to me to be a successful corporate exhibits manager when I worked at Sperry UNIVAC, MEMOREX, and Beckman Instruments. Additionally, as I climbed the corporate ladder, trade show exhibiting remained a primary focal point for me in the marketing and sales areas at Kawasaki, Tektronix and especially OrCAD Systems Corp, a bootstrapped startup where the challenge of keeping the doors open existed every day. 
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A client recently asked me to help them better define the duties and responsibilities of a trade show exhibits manager as part of their search to fill a newly created position within their sales and marketing departments. To begin, I needed to know their answers to a few key questions that would serve as a solid foundation. From there, I could begin to fill in some of the blanks and, in the end, deliver to them what they needed. In an effort for them to hire the right person for the job, I had to picture myself in the position and imagine how I might approach the job for the benefits of both the corporation and myself. I also wanted to ensure that we were all working on the same page when it came to the job’s title, compensation, duties and responsibilities. Here are some of the questions I asked: Who would this position directly report to? This was key, because as I’ve stated many times, marketing and sales are very different. I believe marketing is more strategic and sales is more tactical in their approach to running a business. Marketing could approach exhibiting at trade shows differently than the sales department would, and that difference might lead to misunderstandings and make the job of the trade show exhibits manager job more difficult. How many trade shows are on the schedule each year and where are they? Shows held domestically require one type of planning, while international shows require another level of planning and executional logistics to ensure success. Knowing this up front is important for someone in the role of trade show exhibits manager. How are exhibiting budgets developed and what is included? For instance, is trade show travel and per diem for booth staff included? What exactly is charged to the trade show exhibit budget, and does the trade show manager have responsibility and authority to manage it all? How active is top management in the early planning of trade show exhibiting and who decides how much exhibit space is needed? It’s incredibly helpful to know who is responsible for selecting the exhibit space, which company products or services are displayed and how much space is dedicated to each. Is there a purchasing department representative assigned to work directly with the trade show exhibits manager to ensure that expenditures are managed according to approved corporate guidelines? Are there key major trade shows the manager will be required to travel to and work the booth for the entire show, including setup and dismantling? Does the trade show exhibits manager have to attend all secondary shows or can he/she arrange to have the sales or marketing staff handle them? Who decides who is selected to work the booth during the show? Who selects the booth captains, and how much authority does the trade show exhibits manager have to manage their performance? Have the most important trade shows been effectively planned at least six months prior to a show, including all stakeholders, to ensure continuity of strategies, tactics and accurate expectations? Are the exhibit materials stored on site or in a vendor’s warehouse? Is there a dedicated exhibit fabricator and service provider on contract? Is the company satisfied with their service and costs? How are the exhibit materials and products shipped to and from trade show facilities? Is hall labor used to setup and dismantle the exhibit or does the exhibit provider include labor? What kind of trade show exhibit inquiry/sales lead process is used to generate, qualify and manage leads during and after the show? Who is responsible for managing this function? Who is responsible for making travel arrangements for company staff attending and working the trade show exhibit? Is a corporate suite at a local hotel used as the company headquarters where staff can meet before, during and after the show to coordinate activities, gather intelligence and meet with key prospects and customers? Who is responsible for managing this function, and are the costs charged to the trade show exhibit budget? Is a pre-show meeting planned the evening before the show to review exhibiting goals, objectives and booth layout while presenting product-specific marketing and sales details? Is there a post-show report created and distributed to stakeholders covering what worked and what needs to be improved soon after each show? This information should set the stage for improving problem areas while maintaining and building on areas that worked well and should be implemented at the next shows. 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